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Frances McLaughlin-Gill – Vogue Dec 1946
Frances McLaughlin-Gill
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Eliot Elisofon January 1952 Glamour Fashion Shot
Photo Eliot Elisofon
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1952, New York City, New York State, USA — Eleven women model fashions in tones of green and blue. — Image by © CondÈ Nast Archive/Corbis
Photo Frances McLaughlin-Gill
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Jo Ann Sayers Vogue, April 15, 1961
Photo Frances McLaughlin-Gill
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The model is Fiona Campbell-Walter, and I’m fairly positive that the photographer is Frances McLaughlin-Gill. Photographed at Versailles for Vogue in 1952
Info Sophia Thank You!
Photo Conde Nast Publications Balenciaga
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New York streetscape, Mrs. Amory Carhart pauses in front of a storefront
VOGUE 1954
Photo Frances Mclaughlin-Gill
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Diane and Allan Arbus, Dec. 8, 1950
Photo Frances McLaughlin-Gil
Condé Nast Archive
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Jacqueline Bouvier, a Vogue Prix de Paris winner, photographed by a finalist – 1950′s ca
Photo Frances McLaughlin-Gill
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Model wearing fur stole with hat and white gloves “More Taste Than Money” Vogue, October 1, 1949
Photo Frances McLaughlin-Gill
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Suzy Parker
wrap shirt and straight long skirt by Ruth Fair, wide-brimmed hat, and black bag by Alan Oct 1949
Photo Frances McLaughlin-Gill
Sophia Upgrade!
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Vogue Fashion Photographer Frances McLaughlin – Gill
Photo Michael Somoroff
Female fashion photographers are as much a rarity today as they were when Frances McLaughlin-Gill became the first to sign a contract with Vogue, in 1943. Then 24, not only did she exemplify the young American woman the magazine was increasingly speaking to, but her work broke with the stilted formality that was the convention of the time. “Everyone was wearing beautiful clothes, sitting in an elegant chair, or leaning against a pillar, looking into the camera,” McLaughin-Gill explained in a 1996 interview. In contrast, McLaughin-Gill’s work was more relaxed and infused with an all-American optimism.McLaughlin-Gill, who died on October 23 at the age of 95, was born in Brooklyn and raised in Connecticut with her identical twin, Kathryn Abbe, also a photographer. Both sisters were finalists in Vogue’s Prix de Paris talent contest in 1941, the same year they graduated from Pratt Institute. McLaughlin-Gill’s career was launched by her mentor, photographer Toni Frissell, who introduced her to Vogue’s art director, Alexander Liberman. Liberman was “immediately taken with Franny’s youthful irreverence, directness, and spontaneity,” says Condé Nast archive director Shawn Waldron. Here, a selection of photographs by McLaughlin-Gill from the Vogue archive, in celebration of the pioneering American talent.(Source VOGUE)
